Catfish: The TV Show - Season 7
Catfish: The TV Show (often shortened to Catfish) is an American reality-based documentary television series airing on MTV about the truths and lies of online dating. The series is based on the 2010 film Catfish and premiered on November 12, 2012. It is co-hosted by Nev Schulman and Kamie Crawford. Max Joseph served as a co-host for the show's first seven seasons; his last episode aired on August 22, 2018. Crawford was a guest co-host in numerous episodes of season 7 and joined the main cast in the show's 8th season, alongside Schulman.
Catfish: The TV Show - Season 7
Schulman has said that he has received requests from people asking him for his help in determining whether their online-only lovers are lying or truthful about their identities. In each episode, the hosts help a different person with a different story, traveling to their residence and using background checks and research to uncover the truth. The hosts contact the other person to arrange a first meeting between the two virtual lovers, then document how both people are affected. Schulman has said that the show is not all about pulling the rug out from under people, explaining:
The program was hosted by Nev Schulman and Max Joseph for the first seven seasons. Joseph left the program in August 2018, halfway through the seventh season. For the remaining episodes of the seventh season that aired in 2019, he was replaced by alternate presenters, including singer Elle King, model / actress Selita Ebanks, basketball player Nick Young, actress Kimiko Glenn, model Slick Woods, actress Tallulah Willis, and presenter Kamie Crawford. When the eighth season began in January 2020, Crawford was chosen as the permanent new presenter.
The show presents the "hopeful" as the one who initiates contact in an attempt to discover the true identity of their online romance, or "catfish". Some of the show's casting calls solicit stories from hopefuls. Casting director Michael Esposito has said that the show has received more than 100 applications a day.
The hosts are given no information about the catfish, and while the catfish has agreed to appear on the show, they do not know when or how the hosts will be looking for them. Schulman has said of the show's reverse-engineering:
A lot of the stories that we get come from the catfish side of things. People who feel so terrible [...] that they've been lying to a friend or a lover on the internet for a long time. They want to come clean, but they fear if they simply told the truth, the other person would [...] be very upset that they've been lied to and deceived, and likely discard them. And so they're hopeful that by coming on the show [...] maybe we can facilitate some kind of amicable exchange, that they can be heard, explain themselves in a more objective and non-judgmental way. So [the producers] orchestrate very delicately, and staying out of it as much as possible, a scenario by which [...] the hopeful reaches out to me [...]. And so [the hosts] just pick up from there. [The hopeful has] no idea of course that the other person's already expressed interest in meeting. And the [catfish] doesn't know that we're actually doing it. They just sorta think maybe it could happen. So they don't know when or why or how. So it's tricky, but everything is real. The feelings are real, the relationships are real. We haven't created any scenarios, we don't tell people what to say or do. It's very unpredictable.
There have been two "Catfish" spin-offs. The first, Catfish: Trolls, was hosted by celebrity artist Charlamagne tha God and featured online personalities confronting trolls who had been harassing them online. It aired for one three-episode season in 2018. The second spinoff, Ghosted: Love Gone Missing, is hosted by The Bachelorette Rachel Lindsay and celebrity rapper Travis Mills and features stories about people trying to find former friends or romantic partners after having been ghosted.
In January 2016, MTV began casting a proposed UK version of the show through online ads that specifically targeted the catfish, not the hopeful: "Tired of keeping secrets from your online love? Come clean" and "Are you a secret Catfish? It's time to come clean". The project was cancelled, but Schulman has said he would like to make a pan-European version.
Lennie Alehat was the boyfriend of one of the women on the show. Chelsea liked his supportive nature with his girlfriend. Not to mention his rugged good looks. When she heard the couple had split she went out on a limb and sent him a Facebook message.
Nev and Max agree to help Chelsea finally meet her... More online boyfriend, Charles, in person. While Chelsea has only spoken to Charles once, on the phone, the guys soon show her that a picture speaks a thousand words.
From superhero shows to family comedies to Shondaland, May means saying goodbye to almost everything that made you cancel weekday plans in winter (No one believed that you "have plans" every Wednesday at the exact same time as Broad City). Catch their finales on Hulu the next day, then use your new free time to catch up on full seasons you missed.
The series drew inspiration from a variety of sources, including the fantasy role-playing game Dungeons & Dragons and video games. It was produced using hand-drawn animation; action and dialogue for episodes are decided by storyboarding artists based on rough outlines. Because each episode took roughly eight to nine months to complete, multiple episodes were worked on concurrently. The cast members recorded their lines in group recordings, and the series regularly employed guest actors for minor and recurring characters. Each episode runs for about eleven minutes; pairs of episodes are often telecast to fill half-hour program slots. Cartoon Network announced on September 29, 2016, that the series would conclude in 2018, after the airing of its tenth season. The series finale aired on September 3, 2018. On October 23, 2019, four specials, collectively called Adventure Time: Distant Lands, were announced, which will air exclusively on HBO Max starting with two in 2020.
Adventure Time has been a ratings success for Cartoon Network and some episodes have attracted over three million viewers; despite being aimed primarily at children, it has developed a following among teenagers and adults. The show has received positive reviews from critics and won awards including: eight Primetime Emmy Awards, a Peabody Award, three Annie Awards, two British Academy Children's Awards, a Motion Picture Sound Editors Award, and a Kerrang! Award. The series has also been nominated for three Critics' Choice Television Awards, two Annecy Festival Awards, a TCA Award, and a Sundance Film Festival Award, among others. Of the many comic book spin-offs based on the series, one received an Eisner Award and two Harvey Awards. The series has also spawned various forms of licensed merchandise, including books, video games and clothing.
According to series creator Pendleton Ward, the show's style was influenced by his time attending the California Institute of the Arts (CalArts) and his experiences working as a writer and storyboard artist on The Marvelous Misadventures of Flapjack, a series which ran on Cartoon Network from 2008 until 2010. In an interview with Animation World Network, Ward said he strives to combine Adventure Time's subversive humor with "beautiful" moments, using Hayao Miyazaki's film My Neighbor Totoro as inspiration for the latter. Ward has also named Home Movies and Dr. Katz, Professional Therapist as influences, largely because both shows are "relaxing" and feature "conversational dialogue that feels natural [and is neither] over the top [nor] cartoony and shrill".
Cartoon Network asked Ward to submit a sample script for their consideration, but Frederator convinced him to rough out a storyboard instead, as "a board would give a better sense of what was on Pen's mind", according to Frederator's vice president Eric Homan. Ward and his college friends Patrick McHale and Adam Muto (the former of whom served as a writer, storyboard artist, and creative director for the show during its first few seasons, while the latter served as a storyboard artist and creative director for the show before becoming its showrunner) began developing ideas, all the while concentrating on "keep[ing] the good things about the original short [while also] improv[ing] on" them. The group's first product was a rough storyboard featuring Finn and Princess Bubblegum going on a spaghetti-supper date. Cartoon Network was not happy with this story, and so Ward, McHale, and Muto created a storyboard for the episode "The Enchiridion!", which was their attempt to consciously emulate the style of the original Nicktoons short. This tactic proved successful, and Cartoon Network approved the first season in September 2008. "The Enchiridion!" was the first episode to enter into production.
Ward and his production team began storyboarding episodes and writing plot outlines, but Cartoon Network was still concerned about the direction of the new series. McHale later recalled that during the pitch of an episode titled "Brothers in Insomnia" (which, for various reasons, was scrapped) the room was filled with executives from Cartoon Network. The pitch went well, but the production staff was soon inundated with questions about the stylistic nature of the series. Around this time, Cartoon Network paused production of the show in an attempt to resolve these creative issues. A number of writers and animators were let go, and in their place, Cartoon Network management hired three veteran animators who had worked on SpongeBob SquarePants: Derek Drymon (who served as executive producer for the first season of Adventure Time), Merriwether Williams (who served as head story editor for the show's first and second seasons), and Nick Jennings (who became the series' long-serving art director). Drymon, in particular, played a key role at this time, ensuring that both Cartoon Network and the show's production crew were on the same creative page. Thurop Van Orman, the creator of The Marvelous Misadventures of Flapjack, was also hired to guide Ward and his staff for the first two seasons. The storyboard for "Prisoners of Love" assuaged many of the fears some Cartoon Network executives had expressed. 041b061a72